As an individual artist, I am working in an extremely archaic method, almost guaranteed to never be profitable. Most people won't notice the work I make, many that do will see it as flawed. I am relatively inefficient at manufacturing pottery. I usually don't have a market or destination for the things I make. At the same time, I have the potential to make things that would never be done by anyone else. I am capable of making work as creative and eccentric as I am willing to be. Virtuosity and skill will continue to grow as long as I am willing to put in the effort.
Making pottery involves a lot of decisions that are purely practical. Combined with the “less is more”, “form follows function” ethos of modernism I discovered as a young student, this reinforces an idea that good pottery has to be austere. This idea may be true to a point, but there is always some conflict between it and the fact that I am making the work, not a machine. I am an individual with opinions and eccentricities: endless enthusiasm for historical ceramics, a love of victorian architectural ornament, and a fascination with ceramic materials and processes. Trying to make sense of the jumble of ideas and influences in my head, and apply them to making objects as simple as mugs and bowls is what keeps me motivated in my studio.
524 East Main Street • Stoughton, Wisconsin 53589 • 608-845-6600 • Located just southeast of Madison